Annette's singing career
was prolific. She released at least one song almost every other month
from 1926 through 1931 when she was primarily singing on radio shows.
It is not surprising then, to see that many songs
that she recorded would
also be recorded by other artists. She recorded songs like:
Miss
Annabelle Lee (August, 1927)
Mary
(What are You Waiting For?) (December, 1927)
Get
Out and Get Under the Moon (May, 1928)
that would be recorded by
Bing Crosby. But there were others: Ruth Etting (Button
up your
overcoat) (March,
14, 1929), Harry Richman (It Was So Beautiful).
Although Helen Kane would
only record from just 1928-1930 she played a part in Annette's career.
Annette would love to mimic
Helen on occasion and sing several songs in a Helen Kane voice.
Reportedly, when Annette
released some of her Helen Kane imitations the Victor Company was furious
and sued Helen for breach
of contract (The
Entertainers).
They thought Helen was singing under a pseudonym for a
different record company.
Herein I will list all of the songs that Helen recorded in her career with
a
comparison with songs that
Annette did and even with one done by Ruth Etting.
First of all, Helen, unlike
Annette, did do a number of movies which you can still see her today.
A list of her Paramount movies:
Movie Title | Year Made-Songs |
Nothing But the Truth | 1929 Song: "Do Something" |
Sweetie | 1929 Songs:
He's So Unusual My Sweeter than Sweet The Prep Strep I Think You'll Like It |
Pointed Heels | 1930 Songs:
I Have to Have You Ain't Cha |
Dangerous Dan McGrew | 1930-
Songs: Dangerous Dan McGrew I Owe You Aw! C'mon What you Got to Be? |
Heads Up | 1930
Songs: My Man is On the Make If I Knew You Better |
Flying High | 1930
Song: Thank You Father |
Young Man of Manhattan | 1930
Song: I've Got "It" (but it don't do me no good) |
Paramount on Parade | 1930-
Song: What did Cleopatra Say? |
Below is a list of her known
recordings:
Song Title | Date Recorded | Annette's Recording Date |
Get Out and Get Under the Moon | July 16, 1928 | May, 1928 |
That's My Weakness Now | July 16, 1928 | |
I Wanna Be Loved By You | September 20, 1928 | November 22, 1928 |
Is There Anything Wrong In That? | September 20, 1928 | November 22, 1928 |
Don't Be Like That | December 20, 1928 | January 15, 1929 |
Me and the Man in the Moon | December 20, 1928 | |
Button Up Your Overcoat | January 1, 1929 | March 14, 1929 |
I Want To Be Bad | January 1, 1929 | March 14, 1929 |
Do Something | March 15, 1929 | |
That's Why I'm Happy | March 15, 1929 | |
I'd Do Anything For You | June 14, 1929 | |
He's So Unusual | June 14, 1929 | October 28, 1929 |
Ain'tcha | October 29, 1929 | November 27, 1929 |
I Have To Have You | October 29, 1929 | November 27, 1929 |
I'd Go Barefoot All Winter Long (if you'd fall for me in the spring) | March 18, 1930 | |
Dangerous Dan McGrew | April 12, 1930 | |
Thank You Father | April 12, 1930 | |
I Owe You | April 12, 1930 | |
Readin' Ritin' Rhythm | July 1, 1930 | |
I've Got "It" (But It Don't Do Me No Good) | July 1, 1930 | May 5, 1930 |
My Man Is On the Make | July 2, 1930 | |
If I Knew You Better | July 2, 1930 |
If you look closely at the
recording dates for each of these songs, you can see there can be quite
a
case for saying that Annette
"copied" Helen's songs. On only two of the recordings did Annette
record
songs before Helen did.
But whereas Helen did her numbers in her "coquette" style and stayed with
that form,
Annette never did embrace
that "baby voice" entirely, but kept it as one of her styles that she would
use on occasion.
Annette I think was testing the limits of the day. She could play
the baby voice and come
right back and do a number
with Frank Ferreira or sing "Big City Blues" from Fox's Movietone Follies.
As Helen's flame
flickered quickly and soon went out after 1930, Annette would not totally
abandon this idiom
but keep it in her repertoire
and pull it out when she needed it. If their wasn't a Helen
Kane, it is feasible that
Annette would have still
sung these songs. She recorded "Aw Gee! Don't Be that Way"
on April 1, 1927,
well before Helen started recording. Even
as late as 1934 she was singing "This Little Piggy went to Market".
What made
Annette so unique is that
she wasn't just a torch singer, just a "baby voice", or just a "jazz singer",
she was all
of these and more.
You could literally pick any song of the day and Annette would have a song
to represent
that style be it Bing Crosby,
Harry Richman, Helen Morgan, Ruth Etting, Lee Morse or Helen Kane.
She did it all, and
as she matured she transcended all these various styles and embraced them
as her own.
She transcended the old
acoustical recordings of the early Harmony and Velvetone labels.
She transcended
the "dime store" labels
and the numerous pseudonym's that were given to her and she transcended
and survived
the great depression that
brought with it, reorganization and bankruptcy.
In the end, its as John Hammond said about her on "The Entertainers",
she did it all....and she didn't know how great she really was....